>There was a rumour running around the school that morning about a good Flamenco show and Rafa came in with the event poster and suggested we go. We had wanted to see Flamenco for a while but had heard lots of bad things about the touristy shows and wanted to see something authentic, so we were glad we had waited.
When was the show – that night! Thanks for the advance notice. So we all formed a plan to go, Spanish style, which basically meant there was no plan. We had agreed on a meeting place, but by the close of school the meeting place and time had changed so much so that everyone was confused. It was cold, wet and dark and we waited at the agreed meeting place and no one showed up. We waited. Without a map we walked through the deserted streets of Realejo and trod through slippery paths and muddy roadworks. We had just about given up all hope of finding the venue when we bumped into Anita and Blanca – fellow students – also cold and wet and lost. We climbed up further through the barrio and made murmurings of just going to a bar, any bar and having a drink instead. Anita stopped and asked a girl standing in front of a nondescript doorway if she knew of a Flamenco show in the area. She motioned us in. We paid our fee and entered an era of days gone by; where the men all had greasy mullets, long chops (sideburns) or dreads; and the women had long hair and flowing dresses.
The show was due to start at 10.00pm, or so the poster said, and in true Spanish style the place was practically empty until 11.00pm and shortly after the show started. It mattered little, because there was much interest to be had in crowd watching through the film of cigarette smoke and marijuana that enveloped the bar. We all gathered around a tiny stage, with mikes, drums, and stools and one by one various artists appeared, began tuning their instruments, kissing, hugging and all things Spanish. And then there was a general announcement and the show began.
It is difficult to describe the passion that goes with Flamenco. The first few songs were upbeat and had us tapping awkwardly to the irregular beat and then a small guy, tiny, who wore a hat and looked sly, and like he belonged on the set of the Sopranos, clambered up onto a tall stool with his guitar and sang and played with such energy I thought he was going to fall off the stool. Between songs there was general confusion – very Spanish — and just when it appeared the band was about to disband, another song would begin. A large guy who looked to be a roadie stepped up to the mike, shaggy and with a fondness for beer judging by his stomach, and proceeded to sing with passion in a growling wail. Another change of singers and a girl from the crowd in a long flowing dress walks up to the mike. We have visions of her in her long flowing dress and hair, and her castanets, tapping, clapping and shaking away, when out from the crowd a lanky guy in jeans and a t-shirt — another roadie— steps up on to the floor and tap dances away with such gusto and energy — like Irish dancing on speed — he has everyone clapping along. There is an interaction between the singer and the dancer, she beckons him in duet, a marriage of song and dance. It is all an act, a very good act.
And then an interesting looking woman takes her turn at the stage and proceeds to slowly pour her heart out. Her face contorts with every wail and you feel her agony and her passion. It is strong and moving. Throughout the night a steady procession of artists take their turn at the mike.
I suspect the show may have gone on until sunrise, but we had school the next day and it was well past 2.00am by the time we got home.


Being a finger puppet, it's easy to get lost in the crowd. Sure, being small has its advantages; like sneaking into clubs, travelling around the world for free, etc etc ... but often I don't feel people hear the real me and when they do they giggle and stroke me. I can hear them now "Oh cool, a finger puppet. Isn't he cute?"
So here I am, larger than life, blogging away. You can call me Big Al.
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