>The old town centre of Bratislava is lovely but you’ll have to take my word for it because there are no photographs to prove it. You see, the Slovakian secret police confiscated our camera. Just joking, actually it was dropped in a bowl of goulash. No seriously, someone (no names mentioned, Paul) forgot to pack the camera. The old town has lovely passages, grand promenades, brightly coloured buildings, nice squares, a tram and let’s not forget the churches. It is reminiscent of Prague, without the hordes of tourists.
Paul and I headed off for a few days of art and culture (more commonly referred to as “boozing it up”) in Bratislava, Vienna and Milan while Gill (cleverly) decided staying put in sunny Spain would be a better option.
Once you get out of downtown Bratislava, the architecture starts to get a little uglier, the lack of town planning is evident and the roads – after another harsh winter – are full of potholes. The potholes add to the whole Slovakian driving experience, which vies for the claim of “World’s Worst Drivers” along with Poland. Driving in Slovakia is like a game, the rules of which are subject to change and unknown to anyone but the Slovaks; basically you get points if you terrorise the other drivers, tailgate, don’t indicate, overtake on the inside, or worse still on the emergency shoulder. The more dangerous the driving, the more points you earn. Seatbelts, nah – what for? And the Slovaks are astute, if they see someone is from out of town, a neighbouring country, or worse still a gypsy, they do all this while yelling insults. A zero immigration policy brings out the xenophobe in every Slovak. I am colourfast but Paul seemed just a touch greyer after three days in Slovakia.
But there are lots of good things about the Slovaks. They are friendly (see exceptions above), they all speak English and they love to party. Slovakian food is delicious and hearty, suitable for the cold days we spent there. On one occasion a large oddly shaped bread loaf arrived and was placed in front of me. On closer inspection, the top of the loaf was sliced – to form a lid – and when removed revealed a delicious garlic soup served inside the hollowed out loaf. When you finish eating the soup, you just consume the bowl as well. Very practical!

Anish Kapoor’s “Shooting into the corner”
Food aside, most of the time was spent gallery hopping with Juraj. We visited the excellent boat-shaped Danubian gallery which sits on a small spit of land jutting from the Danube and currently exhibits a collective of the best contemporary Slovakian and Hungarian art. The highlight however was a large gallery in Vienna, where we happened upon Arnish Kapoor’s latest show. He has a reputation for creating interesting public art. Anish created The Cloud situated in Millennium Park, Chicago (see earlier Chicago blog entry). His latest exhibit is a “work in progress”, several rooms house changing exhibits made entirely of messy red wax. The most interesting is a theatre-sized room where a large custom made cannon is installed in the centre of room and huge-11kg globs of red wax are fired at regular intervals from the cannon into a corner of the room. It is a theatrical performance, in which a serious looking operator (not Anish, who is sitting cosily in his studio somewhere in London concocting), primes the cannon, pushes a button and then stands, arms folded, expressionless waiting for the cannon to fire. The resulting explosion and mess of red wax as it slides down the walls is the art. After each cannon fire, the audience bursts into laughter. I guess you had to be there! Check out the video here.
On Milan – well what can say about Milan that you don’t already know? The people are beautiful; particularly the women and they are all dressed immaculately and fashionably — fat is definitely a dirty word. The Duomo is magnificent and the general town architecture is planned and also very beautiful. But the people are not warm and friendly like the Slovaks. They strut about purposefully, looking for the next new fashionable piece and don’t seem to have much time for a couple of travel worn Granadinos.


Being a finger puppet, it's easy to get lost in the crowd. Sure, being small has its advantages; like sneaking into clubs, travelling around the world for free, etc etc ... but often I don't feel people hear the real me and when they do they giggle and stroke me. I can hear them now "Oh cool, a finger puppet. Isn't he cute?"
So here I am, larger than life, blogging away. You can call me Big Al.
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